Conservator Stephanie de Roemer stands with scalpel poised, the concentration etched on her face. We’re in her laboratory deep within the Glasgow Museums Resource Centre and she is demonstrating the technique used to painstakingly restore a piece not seen in public for decades. Propped up on crates is a section

Under Page/Park’s deep analysis Glasgow School of Art is on course for a full recovery from its trauma, melding Mackintosh’s original concepts with modern technology. The Mackintosh 3D model scanned by point cloud and augmented by Page/Park. Credit: Glasgow School of Art Much discussion on the nature of the rebuild